<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[MCD501 - TV Direction]]></title><description><![CDATA[MCD501 - TV Direction]]></description><link>https://community.secnto.com//category/178</link><generator>RSS for Node</generator><lastBuildDate>Wed, 13 May 2026 01:36:30 GMT</lastBuildDate><atom:link href="https://community.secnto.com//category/178.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 22 Jul 2020 06:54:43 GMT</pubDate><ttl>60</ttl><item><title><![CDATA[MCD501 GDB 1 Solution and Discussion]]></title><description><![CDATA[<p dir="auto">Re: <a href="/topic/1356/mcd501-gdb-1-solution-and-discussion">MCD501 GDB 1 Solution and Discussion</a></p>
]]></description><link>https://community.secnto.com//topic/2020/mcd501-gdb-1-solution-and-discussion</link><guid isPermaLink="true">https://community.secnto.com//topic/2020/mcd501-gdb-1-solution-and-discussion</guid><dc:creator><![CDATA[zareen]]></dc:creator><pubDate>Wed, 22 Jul 2020 06:54:43 GMT</pubDate></item><item><title><![CDATA[MCD501 GDB 1 Solution and Discussion]]></title><description><![CDATA[<p dir="auto">Make-up in drama should be used to build a character as perceived by the writer and director and not to just glamourize the performers. Discuss with reference to make up in contemporary dramas.</p>
]]></description><link>https://community.secnto.com//topic/1356/mcd501-gdb-1-solution-and-discussion</link><guid isPermaLink="true">https://community.secnto.com//topic/1356/mcd501-gdb-1-solution-and-discussion</guid><dc:creator><![CDATA[zareen]]></dc:creator><pubDate>Mon, 27 Jan 2020 22:04:58 GMT</pubDate></item><item><title><![CDATA[MCD501 Assignment 1 Solution and Discussion]]></title><description><![CDATA[Solution:
Many directors believe that “cast right and half of your job as a director is accomplished.” The statement at best is a half-truth. In this era of star-making projects, the politics of finance as often as a director’s vision dictate casting. The rise of powerful agents and casting directors have moved the pendulum in the direction of political rather than creative casting. My comments that follow are only relevant to creative casting (let me just say that directors must continue to fight to maintain their vision of the characters in their films). Casting is the first expression of the director’s idea before production begins—all the more reason why the director at this preproduction stage must have a clear director’s idea, which, at this stage, is based on an interpretation of the script. The casting process is first and foremost about the look of an actor. Whether or not the actor physically conforms to the director’s vision of the character is less important than a checklist about the qualities, both physical and behavioral, the actor projects. I would suggest that at this first meeting between the director and an actor and the reading that will follow that the director keep a list of criteria by which to assess the actor, such as:

Professionalism
Level of tension the actor brings to the situation 3. Energy
Charisma
All-time hit PTV classic Drama Waris had a character of Choudhary Hashmat played by veteran acot Mehboob Alam.
Chaudhry Hashmat’, the protagonist of his famous play, Waris, who thought the common people were like trees who needed pruning to check them from rising above their apportioned height and growing to their natural stature, years before Karl Marx had stated that the source of people’s poverty was the rich man’s wealth.

]]></description><link>https://community.secnto.com//topic/1075/mcd501-assignment-1-solution-and-discussion</link><guid isPermaLink="true">https://community.secnto.com//topic/1075/mcd501-assignment-1-solution-and-discussion</guid><dc:creator><![CDATA[zareen]]></dc:creator><pubDate>Fri, 17 Jan 2020 15:19:56 GMT</pubDate></item><item><title><![CDATA[MCD501 Assignment 2 Solution and Discussion]]></title><description><![CDATA[<p dir="auto">TV Direction --------------------------------------------------MCD501<br />
Department of Mass Communication<br />
Virtual University of Pakistan SEMESTER FALL 2019<br />
ASSIGNMENT NO.2 MARKS: 15<br />
Graded Assignment<br />
DUE DATE: 17TH JANUARY, 2020<br />
Assignment Question<br />
A new wave of Pakistani Cinema was witnessed after the much acclaimed movie of Shoib Mansoor, “Khuda Key Liye “and “Bol”. After that there are many films that got critical as well as public approval for covering contemporary issues. Mention and discuss any Three such Pakistani Films that you find best in following perspectives:<br />
 Storyline relevant to current social set up of Pakistan<br />
 Successful handling of director in conveying the intended message<br />
 Power packed performances for bringing conviction to the role<br />
Formatting guidelines<br />
• Use the font style “Times New Roman” and font size “12”.<br />
• Compose your document in MS-Word format. Any file created in any other version will not be accepted and marked zero.<br />
• Use black and blue font colors only.</p>
]]></description><link>https://community.secnto.com//topic/1074/mcd501-assignment-2-solution-and-discussion</link><guid isPermaLink="true">https://community.secnto.com//topic/1074/mcd501-assignment-2-solution-and-discussion</guid><dc:creator><![CDATA[zareen]]></dc:creator><pubDate>Fri, 17 Jan 2020 15:18:58 GMT</pubDate></item></channel></rss>